Description
Shure Beta 52A – Dynamic Microphone for Kick Drums & Bass Instruments
The Shure Beta 52A is a precision‑engineered dynamic microphone designed specifically for kick drums and other low‑frequency instruments. With a tailored frequency response, supercardioid pattern, and an integrated swivel‑mount with XLR connector, it delivers superb attack and punch while maintaining studio‑quality sound even at extremely high SPLs.
Why Musicians & Engineers Love It
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Tuned for low end: Frequency response shaped for kick drums and bass instruments.
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Point‑and‑go mounting: Built‑in dynamic locking stand adapter with integral XLR simplifies setup—perfect inside a kick.
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Feedback‑fighting pickup: Tight supercardioid pattern for high gain before feedback and excellent rejection of stage spill.
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Tour‑tough build: Hardened steel mesh grille and die‑cast metal body stand up to life on the road.
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Clean, solid capture: Advanced pneumatic shock mount minimises handling/mechanical noise; neodymium magnet gives a strong, high S/N output.
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Reliable on any rig: Low sensitivity to varying load impedance and legendary Shure reliability.
Ideal Applications
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Kick drum (inside or just at the port)
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Floor tom & low toms
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Bass guitar cabinets & sub‑bass sources
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Low brass & other bass‑range instruments
Specifications
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Type: Dynamic (moving coil)
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Frequency Response: 20 Hz – 10 kHz
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Polar Pattern: Supercardioid (rotationally symmetrical about mic axis)
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Output Level (1 kHz): Open‑circuit voltage −64 dBV/Pa (0.6 mV)
1 Pa = 94 dB SPL -
Impedance: Rated 150 Ω (actual 45 Ω) for low‑Z mic inputs
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Phasing: Positive pressure on diaphragm → positive voltage on pin 2 relative to pin 3
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Maximum SPL: 174 dB at 1 kHz (calculated)
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Connector: 3‑pin male XLR
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Case/Finish: Silver‑blue enamel painted die‑cast metal; hardened, matte‑finished steel grille
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Stand Adapter: Integral dynamic locking adapter, adjustable 180°, 5/8"‑27 thread
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Net Weight: 605 g
In the Box
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Shure Beta 52A Microphone
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Integrated locking swivel stand adapter with XLR connector
Setup Tips (Quick Start)
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Place the Beta 52A just inside the kick port aimed toward the beater for more attack; angle toward the shell for more body.
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Engage a high‑pass filter on other stage mics to keep the low end clean.
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Start with minimal EQ—its tailored response often needs only subtle shaping.
Why Buy from Concert AV (Australia)
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Authorised Shure retailer with genuine Australian stock
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Expert advice from live sound specialists—call or visit us for placement and EQ tips
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Click & collect or courier delivery Australia‑wide