If you’re comparing powered PA speakers for live gigs, DJs, corporate AV or installs, the RCF ART 932-A and ART 935-A are standout choices. Both deliver 2100W peak power with Class-D bi-amplification, advanced DSP, and tour-ready build quality—backed by RCF’s pro-audio pedigree. Here’s what makes them special, how the 12" and 15" versions differ, and which to choose for your use case. 

Quick take: who should choose which?

  • ART 932-A (12") – Best balance of portability and punch; great for singer-songwriters, acoustic acts, speech, smaller bands, corporate AV and high-quality wedge monitoring. 50 Hz–20 kHz response, up to 132 dB SPL

  • ART 935-A (15") – Bigger low-end for DJs, full bands, high-energy events or when you run without subs. Extends to 45 Hz with up to 133 dB SPL


What makes ART 9 better than the rest?

1) Serious output with clean, coherent sound

Both models pair a 3" titanium/neodymium compression driver with RCF’s True Resistive Waveguide and FiRPHASE processing. Translation: excellent intelligibility, consistent coverage and phase-coherent response that stays smooth at high SPLs—132 dB (932-A) / 133 dB (935-A)—so vocals and detail don’t smear as you turn up. 

2) Real bass control without “limiter pump”

RCF’s Bass Motion Control actively manages woofer excursion to protect low-end punch without audible pumping. You get deeper, tighter bass at show levels—to 50 Hz (932-A) and 45 Hz (935-A)—and you can run them hard with confidence. 

3) 2100W Class-D bi-amp headroom

The 2100W peak / 1050W RMS amplifier platform provides serious dynamic headroom, translating into cleaner transients and lower distortion compared to many competitors in this price class. 

4) Road-worthy composite enclosure

The ART 9 series uses a rugged composite cabinet with a steel grille and smart ergonomics (top + side handles, multiple rigging points). It’s light enough for one-person load-ins yet tough for rental and touring. 

5) Set-and-go DSP that actually helps

Built-in DSP presets (including linear/boost/stage voicings) plus FiRPHASE linear-phase filters give you a mix-ready sound with minimal EQ. You’ll spend less time fighting the PA and more time mixing the show. 


ART 932-A vs ART 935-A: side-by-side essentials

Spec / Feature ART 932-A (12") ART 935-A (15")
Max SPL Up to 132 dB Up to 133 dB
Frequency Response 50 Hz – 20 kHz 45 Hz – 20 kHz
LF Driver 12" woofer 15" woofer
HF Driver 3" Ti/Neo compression driver 3" Ti/Neo compression driver
Amplification 2100W peak Class-D bi-amp (1050W RMS) 2100W peak Class-D bi-amp (1050W RMS)
DSP FiRPHASE, Bass Motion Control, voicing presets FiRPHASE, Bass Motion Control, voicing presets

(All specs per RCF.) 


Which is better for your application?

  • Acoustic duos / speech / houses of worship / corporate AV
    Go ART 932-A for a balanced footprint, natural mids and high vocal intelligibility. Add subs later if you scale up. 

  • Mobile DJs / electronic music / bass-heavy live sets
    Choose ART 935-A for extra low-end extension and higher displacement. It’s happy standalone for many rooms and excels with an RCF sub. 

  • Stage wedges / side-fills
    ART 932-A is an excellent, manageable wedge with coherent HF and strong feedback stability thanks to the waveguide + FIR processing. 

  • Small to mid-size venues / portable production companies
    Either will deliver; pick based on bass needs and truck space. The 935-A reduces the need for subs in some gigs, while the 932-A keeps rigs lighter. 


Build quality & reliability you can trust

RCF designs the drivers, waveguides and DSP in-house and builds the ART 9 series to withstand real-world abuse. The composite cabinets resist knocks and weather changes better than many wood boxes in this weight class, and the steel grille protects the transducers on the road. 


Why buy from Concert AV (Australia)?

  • Authorised RCF dealer with genuine stock and local support.

  • Expert advice on matching tops and subs for your room, genre and budget.

  • Fast shipping across Australia and easy pickup options.

Explore the products here:


FAQ

Do I still need a sub?
For dance music or outdoor shows, a sub is recommended with ART 932-A; the ART 935-A can cover many bar/club gigs without a sub, but pairing with an RCF sub (e.g., SUB 705-AS or 8003-AS) unlocks full-range authority. 

How do they compare to typical alternatives?
Many competitors in this price range don’t combine a 3" HF driver, phase-coherent FIR processing, and Bass Motion Control with >132 dB SPL capability—this is where ART 9 pulls ahead in clarity at volume and low-end stability. 

Are they easy to set up?
Yes—XLR/TRS combo inputs, XLR link out, smart DSP presets, and pole-mount/multi-rigging options make deployment fast for solo operators. 


Bottom line

If you want clean, high-SPL sound, controlled low-end, and rock-solid reliability in a portable box, the RCF ART 932-A and ART 935-A are top of the list. Choose 932-A for maximum portability and vocal-forward clarity, or 935-A for deeper bass and room-filling authority. Either way, you’re stepping into RCF’s ART 9 performance tier—where pro features once reserved for bigger rigs now live in a compact, gig-friendly cabinet.